Jonathan Spence’s book The Death of Woman Wang is an entrancing assessment of provincial China. It weaves together the stories of individuals, some of high rank, some freshly rescued from obscurity, with those of myth and legend, creating an absorbing, enriching portrait of a nation and of an era. In The Memory Palace of Matteo Ricci, Spence takes a slightly different tack. Again his subject is China, but this time, rather than attempting only to look at the country from within, he incorporates the perspective of those who came from without. The eponymous subject of this work was a Jesuit priest from Italy, a keen proselytiser, and one of the pioneering Western missionaries sent to China to spread Christianity among its vast population. Continue reading →