Philistinism Redux

Review – The New Philistines: How Identity Politics Disfigure the Arts by Sohrab Ahmari

Identity politics, that very modern ideological constellation, with its fixation on race, class and gender, has migrated from academia into the arts. Queer theory, feminist readings, post-colonial studies – all these have carved out significant positions at the heart of the art world. Many artists and ‘creatives’ aspire to these doctrines; they increasingly govern the propagation of culture as well as new criticism of canonical art. Such things matter more than could be expected.

Notions of Nationalism

The formation of nations is not a concept which is too far from public consciousness in the West today; we are certainly aware of the challenges and opportunities associated with ‘nation building’, both in the immediate post-war situation in the 20^th century and in the current century. In addition, the question of colonial powers creating nations – all too often portrayed as simply drawing lines on the map in the final rapid dash towards decolonisation – is something that cannot be avoided.

Martin Guerre and the End of the Individual

The story of Martin Guerre is one of the most fascinating in early modern history. Perhaps that is why it is so well documented, both in chronicles and legal writing at the time and more recently, where it has served as the subject of films in French, German and English, and books, including one by Natalie Zemon Davis, which I recently had the pleasure to read.